Showing posts with label Bikini. Show all posts
Showing posts with label Bikini. Show all posts

Feb 3, 2026

HISTORY OF THE BIKINI : IN 1962, URSULA ANDRESS EMERGES FROM THE SEA TO ENTER HISTORY.












We saw in a previous article that the bikini was not immediately adopted by women in the 1950s, after its bold creation, deemed too daring for the morality of the time, by the French engineer Louis Réard, after the Second World War, in 1946.

Condemned by religious authorities who influenced civil authorities, the bikini was banned from public spaces in almost every country until the 1960s, when major changes occurred in Western societies.


Artists have often been at the forefront of change, whether in fashion (Similar to the commercialization of the mini skirt in 1962 by stylist Mary Quant, as shown in the video above) or other aspects of popular culture. 

This was the case with the bikini when famous actresses wore it in films. The incredible success of the James Bond films, the first of which, in 1962, was Dr. No (cost $ 950 000 → Box Office 60 M.), helped establish the bikini as a legitimate fashion item. From that moment on, bikini sales began to accelerate.

The famous scene from the film showing actress Ursula Andress emerging from the sea in her famous white bikini enhanced by a wide belt has become a cult scene.

  
To fully grasp the shock caused by this famous cinematic scene, one must consider the context of the time. It's one of the most striking and "sexy" scenes in the history of film. This excerpt from the first James Bond film ( Dr. No , 1962, check out the scene at the end of this article) resembles a dream imbued with beauty, grace, and poetry, and, according to polls, remains the most memorable of all the spy and action films based on the work of British author Ian Fleming . 

Fifty years ago, to the sound of a captivating calypso, in the enchanting setting of Laughing Waters beach in northern Jamaica, a new actress, beautiful as a goddess, the Swiss Ursula Andress , emerged from the Caribbean Sea, holding seashells in her hands. These “maritime sculptures” harmonized perfectly with the super sexy white bikini worn by this glistening beauty, her body adorned with sun-kissed pearls.

This appearance, this moment of grace, this character of Honey Ryder (a diver collecting seashells), would haunt the torrid dreams of men in the 1960s. This scene would also determine the rest of the life and career of this seductive newcomer, from a Protestant family of German origin. Unaccustomed to seeing such a scantily clad beauty on the big screen, and in all her splendor, English filmgoers were very impressed and humorously nicknamed the new pin-up "Ursula Undress ."
 

It's worth noting that the voice of the character Honey Ryder in Dr. No was dubbed by Nikki van der Zyl , because at the beginning of Ms. Andress's film career, her English was imperfect and she had a strong German accent. And in that famous scene, when she sings a song on the beach, it's actually Diana Coupland 's voice we hear. Another trick: the tan, which further enhances the Swiss actress's beauty, was artificially enhanced by the film's technicians.

Like Marilyn Monroe in the 1940s, and later Brigitte Bardot , Raquel Welch , and Gina Lollobrigida, Ursula Andress became a sex symbol, an enchantress of men. Her meteoric rise to fame coincided almost exactly with the emancipation of women and the accompanying sexual revolution. 

The spectacular way in which this ravishing Bernese woman showcased that stunning white bikini (which she is said to have designed herself and which sold for $59,755 at auction in 2001) helped popularize these tiny swimsuits, while also challenging some taboos imposed by religion and the prevailing moral standards of the time. 



Deemed indecent after its creation in 1946 by the French engineer Louis Réard (above), the bikini was hardly fashionable before the power of cinematic imagery helped change things in the most progressive societies of Western countries. But, in essence, this popular movement was merely an extension of the immense thirst for freedom that manifested itself after the end of the Second World War.

Like all great stars and legendary figures, Ursula Andress, now 89, still basks in an aura where it's sometimes difficult to separate fact from fiction, and to distinguish rumor from historical fact. 

Saying she never ceases to be amazed by the extraordinary luck that has made her a woman fulfilled by an exciting life, enriched by captivating experiences and encounters with exceptional people, the long-retired actress now prefers to stay out of the public eye so that the public can cherish beautiful images and fond memories of her. 



Because she has always taken care of her appearance and has had plastic surgery, Ursula has been able to maintain her legendary beauty well into old age. But when she looks at photographs from her youth, the inimitable former Bond girl humorously remarks that in those days, getting beautiful was much easier and quicker than it is now, in her old age!

In recent years, her public appearances have been mostly limited to her advocacy work to raise awareness about osteoporosis, an insidious disease from which she suffers. She fears losing her health because she has always been an active woman: "I would be miserable if I had to stay in bed. I would be embarrassed and unbearable if someone had to take care of me. If I can't be active, I want to leave..."

The movies are definitely over for her, unless, perhaps, she were offered a role in a film about art... These days, she laments, there is too much violence and too many special effects on the big screen. Producing good films is far too expensive. In the past, you could make action-packed adventure films with just the right amount of special effects. The focus was on simple yet coherent plots.
 

Throughout her life, Andress has maintained a deep appreciation for beauty. She studied painting, sculpture, and dance in Paris. She remains a passionate collector, loving to browse antique shops and flea markets wherever she goes. It's her favorite pastime. She buys antique furniture, rugs, paintings, frames, pottery, porcelain, woodwork, and more. 

"My home is the world. I live part of the time in Spain, the United States, Italy, and Switzerland, and I collect objects all over the globe—Shanghai, the Andes, Kuala Lumpur, Hungary, Romania." Her many trips abroad have allowed her to become fluent in English, French, and Italian.

If Ursula hadn't pursued an acting career, she would have been a decorator or interior designer. She owns so many collectibles that she has to store them in warehouses. Thieves beware of stealing any part of her treasure. A few have already done so, and she chased them for months until she caught them! An adventure worthy of...James Bond!


Ursula Andress never considered herself a great actress, even after winning a Golden Globe in 1964. Cinema wasn't her main focus in life. It was more a means to achieve the life she had always dreamed of: traveling the world, experiencing a wide range of authentic cultures, and living among local communities. 

"Today, the world has become so small. It's so sad that everything is becoming the same, that different traditions and cultures are disappearing." The London she knew and loved in the 1960s no longer exists. "I really enjoyed London in the 1960s. Everything about it was pleasant. It was a happy city, an English city. But now there are no English people left in London," she exclaims, dejected. 

Because humans are destroying nature and not taking care of their environment, Ursula is not very optimistic about the future.


The daughter of a German diplomat who was expelled from Switzerland and disappeared during World War II, Ursula spent part of her childhood on her grandfather's farm, a stern and authoritarian man. A very shy child, she dreamed of freedom. Even in her early teens, she realized the power of attraction she held over boys when she went to the public swimming pool! 

Later, at 17, after returning to the canton of Bern, where she was born, Andress captivated the French actor Daniel Gélin , who was filming Julien Duvivier 's L'Affaire Maurizius in the area. Duvivier and his crew had scouted locations at Ursula's school. She had even acted as a guide for the film's cast and crew. Gélin fell in love with her and then took her with him to Paris. She will also follow him to Rome, where he will soon succumb to drug addiction, which will break his relationship with Ursula.

After playing a few minor roles in small Italian films, Ursula met Marlon Brando and had a brief affair with him. The American actor encouraged her to try her luck in Hollywood. She did so, but without much conviction. Whether it was learning the basics of the craft or the English language, Andress didn't put in the necessary effort.
 


By nature fickle, bohemian, and adventurous, this strikingly beautiful brunette was more interested in the actors themselves than in what they did. She flirted with James Dean before succumbing to the charms of John Derek, whom she married in Las Vegas in 1957. The couple divorced in 1966, and Ursula subsequently had a multitude of romantic relationships with other actors (including a rather tumultuous one with Jean-Paul Belmondo → photo overhead). 

Andress explained this constant need to change countries and lovers by her rather fiery, gypsy-like nature. This facet of her personality contrasts strangely with the lack of expressiveness and the rather "icy" or "distant" style of her acting. Away from the film sets, she was a curious nomad, seeking change and new horizons. This "sex bomb," standing at 1.65 meters (5 feet, 5 inches), was restless and would die of boredom if she were condemned to stay put.

Five years after Ursula's marriage, and two weeks before the start of filming for Dr. No, the producers still hadn't found the actress to play Honey Ryder. They stumbled upon a photo belonging to John Derek which, according to the caption, showed his wife, Ursula Andress, very scantily clad, in a wet t-shirt contest! The film's directors offered her the role of Honey Ryder without even meeting her! 



The pretty young Swiss woman hesitated before accepting. Enthusiastic about the quality of the script for this first James Bond film, her friend Kirk Douglas convinced her to seize this wonderful opportunity, which would earn her $10,000 and...instant fame! 

She quickly became the most desirable and most photographed woman in the world. As a result, she set the bar very high for all the other Bond Girls who would follow her, without ever surpassing her, in the hearts of British filmgoers. 

In 1965, she posed nude for PLAYBOY magazine, much to the delight of her many admirers! When asked why she dared to do that, she simply replied: "It's because I'm beautiful."


Ursula Andress always knew that if she was given film roles, it was because of her physical attributes. After her experience with PLAYBOY, this became even more obvious. Films where she wasn't required to perform at least one nude scene were rare. Ursula accepted this situation without complaint, aware that she had become a sex symbol, and that this status confined her to roles linked to her reputation. 

It should be noted that she herself didn't consider herself strong or competent enough to play major roles: "I chose to do light and funny films or action films, excluding dramatic and psychological films, out of modesty, fear, and lack of confidence." (...) "Committing myself entirely to a film where I would have to bring personal feelings, a part of my soul, scares me." 

Andress sometimes broke contracts with production companies (including Paramount) when they tried to mold her into someone she wasn't.



Ultimately, her most important role would be that of mother. From the 1980s onward, after the birth of her only son (Dimitri, whose father is actor Harry Hamlin ), Andress gradually with Drew from acting, contenting herself with a few episodic roles on television and in films in Europe. At that time, giving birth at the age of 43 was rare and frowned upon. But the new mother wasn't one to follow the crowd. 

Free to act and express her often controversial opinions, Ursula never hesitated to go against the grain of conventional society. What truly mattered to her was being honest, happy, and living her life to the fullest.



Ursula Andress rubbed shoulders with the biggest stars of her era. She even starred in a film alongside none other than Elvis Presley (above)... It was reported that the "King" of Rock & Roll was so intimidated by this "super sexy" woman that he was terrified at the thought of having to take his shirt off in front of her. Andress recalls their meeting: "At first, I didn't like him. You know, you judge people by what you've read about them. But Elvis was lovely, so kind, gentle, and affable. We remained friends afterward. I saw him once or twice a year. But he was a tormented soul..."

It's fascinating to consider that a film scene could have such a powerful impact as the one that made Ursula Andress a sex symbol in 1962. But this sensual Swiss woman was no ordinary person. She will still be remembered fifty years from now... Unforgettable, as Nat King Cole sang ...



Jan 22, 2023

GINA LOLLOBRIGIDA, ONE OF THE FIRST BIKINI GIRL, DIES AT THE AGE OF 95.

In a previous article (https://bikiniandpompomgirls.blogspot.com/2020/12/the-most-beautiful-girl-in-world-to.html), we saw that after its creation, in 1946, by the French engineer Louis Réard, and the fashion designer Jacques Heim, the bikini, considered too daring for the mores of the time, did not know an immediate popular success.  It wasn't until the early 1950s, when movie stars like Brigitte Bardot and Gina Lollobrigida wore it, either in films, or posing for wide-ranging photos, that common women began to wear it timidly, and then increasingly in the 1960s.

Legendary diva Gina Lollobrigida died last week at the venerable age of 95.  Back in 1950, her photos showing her in a bikini played an important role in launching her great film career.  At the age of 20, in 1947, she studied at the School of Fine Arts in Rome.  To pay for her studies and bring home some money, after her family was ruined by the 39-45 war, she landed a few small roles in the cinema and she participated in beauty contests.

Her first big film contract will be granted to her by the renowned American producer Howard Hughes.  Falling under the spell of the young woman after seeing one of these photos where she poses in a bikini, Hughes brings her to Hollywood after signing her a contract.



Literally crazy about her body, of sculptural beauty, with voluptuous forms, he will lock her up for months in a Los Angeles hotel room.  Sometimes, during the night, he rents an orchestra, and he takes her out of the room to dance with her in the hotel restaurant.  Lollo, as she was later nicknamed, will eventually free herself from her confinement and she will participate in some American films.  For thirteen years, Hughes will try to seduce her.  In vain ...

Subsequently, Gina Lollobrigida will play the main roles (in 30 years she turned in more than sixty films) in cinematographic successes such as «Fanfan la Tulipe» (Best Director Award at the Cannes Film Festival in 1952), in which she plays a bohemian character fortune teller, alongside the formidable French actor Gérard Philipe.



The same year, she burst onto the screen in her role as Leila, in René Clair's famous film «Les Belles de Nuit».

In 1957, Gina Lollobrigida won a Bambis Award for Best Actress for her unforgettable role as Esmeralda in the film «Notre-Dame de Paris».


In 1959, her bewitching beauty reached a peak when she played the Queen of Sheba in the film «Solomon and the Queen of Sheba».  His partner, Yul Brynner, who plays King Solomon, is bewitched by the splendid Italian actress.  In scenes where the two actors kiss, they continue to do so even after the director shouts : «cut» !

Subsequently, her career faded somewhat when Sophia Loren, another Italian actress -another beauty queen- came to compete with her.  At first jealous of her new rival, Lollo will eventually make a great friend of her.

Provocative, characterized by her ember gaze reflecting her fiery temperament, she will go too far in 1966, in a new sketch film («The Dolls»), wearing outfits deemed too daring.  She was sentenced to two months in prison, but was fortunately amnestied.

In the 1970s, like Brigitte Bardot, she grew tired of cinema and became a photo journalist.  She also returned to her first love at the School of Fine Arts in Rome by devoting herself to sculpture and drawing.  She will explain that she began to make cinema by pure chance, and that she continued out of curiosity.

From her youth, she dreamed of being a painter.  Her goal was first and foremost to become a visual artist, but she did not regret her career in cinema.  A career that she considered very successful and satisfactory.

Like Bardot, too, at the beginning of her career, she will have the audacity to ask for an exorbitant fee (one million) to turn in films.  Launched as a joke, this immense request, unimaginable fortune for the time, will be accepted, to the great surprise of Gina !


Like Bardot, Lollobrigida will long be considered the most beautiful woman in the world.  Ambitious, she said she wanted to become a very great actress and she refused to be reduced to a status of sex symbol.

In her long and wonderful career, she played with the greatest actors of her time.  Marilyn Monroe will take Gina as a model and the Italian super star will influence her a lot by her advice.  It has been said that she "sculptured" the legendary American blonde actress.

Orson Welles, another great actor, director and producer, called Gina Lollobrigida : «the most fabulous woman in the world, the Queen».


The Italian novelist and journalist Alberto Moravia called her «the archetype of Italian female beauty».  Italians loved her so much that the used to say that she was the greatest discovery since the invention of spaghetti !

Gina Lollobrigida received many prizes and awards (more than 20) for her fabulous career, but the one that perhaps pleased her the most was the latest : her star on the Walk of Fame on Hollywood Boulevard, in Los Angeles, in 2018.  A kind of final consecration or crowning.  She received this ultimute honor with her characteristic exuberance.

Although Gina Lollobrigida married in 1949, at the age of 22, to a Yugoslav doctor named Milko Skofic, who became her manager, and divorced him in 1971 after giving him an only son, she later declared that her only regret in life was never meeting the soul mate.  Many of her countless admirers, for whom she was an extraordinary sexual fantasy, would certainly have liked to be that ideal lover she never found.


In 2017, in some od her latest public confidences, Lollo confessed to having suffered two sexual assaults in her youth.  Events that marked her character and that she was never able to erase from her memory and her being.

After her death on January 16, photographer Rino Barillari, a renowned Italian paparazzi, paid tribute to the late diva : «She was fashion, everyone imitated her.  A person like that will never be reborn.  It is not only a diva of the cinema who has left, but a real global star.  Gina Lollobrigida was something idescribable, everyone was losing their minds for her.  Damn beautiful and a feminity that has marked history».  Including the bikini story, I might add !

Here are some of the eternal looks of Gina Lollobrigida, in a montage on Giorgia's song «Quando Una Stella Muore» (When a Star Dies)...



Dec 8, 2020

HISTORY OF THE BIKINI : BRIGITTE BARDOT AND THE PIN UP GIRLS OF THE 1950s

Brigitte Bardot

In 1946, two Frenchmen, engineer Louis Réard, and fashion designer Jacques Heim, were in a strange competition in Paris.


The challenge : make the smallest two-piece bathing suit for women...


But, given the mores of the time, an obstacle stands in this race with minimal dress : the navel !  In the 1940s, showing it was still considered obscene or forbidden.



In fact, many historians consider that Heim already won this race to the tiniest swimsuit in 1932, by creating his prototype called "The Atom" (pictured above).It was a two-piece somewhat similar to the model that will take the name "bikini" after World War II.


What inspired Louis Réard for his own version of the minimalist swimsuit was a phenomenon he had observed on the French beaches of that time.  He had noticed that, in order to get a better tan, some women rolled the edges of their two-pice bathing suit, surreptitiously discovering their "scandalous" navel !



In his engineering head, Réard (pictured above) understood that this need for women to shorten their own bathing suits by rolling the edges, should lead to an adjustment in the making of the garment.


After all, like many scientific inventions, this is how the bikini was born.  First, the observation of a problem, a need, a desire, or a questionable fact.  Then, the imagination gets to work to find a solution.  This solution then takes shape on the drawing board.  And it is carried out with material means and a skin-fine that proceeds by trial and error.










Thus, in 1946, with more or less accuracy, Réard developed the bikini we know today : a top covering most of the breasts; a stocking, with a triangle at the front to hide the inner part, and at the back enough fabrics to cover more or less half of the buttocks.


Once his invention was made, Louis Réard planned to sell it, as he was also a businessman operating his mother's lingerie shop near the Folies Bergères in Paris.  In order to attrack customers or buyers of his new product, the engineer had to show case it, market it and advertise it.



To do this, Réard was looking for a mannequin -an alive one- to make demonstrations in public.  But his bikini was so daring for the manners of the time, that no one wanted to wear it.


Running out of volunteers, Réard takes great measures.  To present his creation to the world, he hires a nude dancer from the Casino de Paris, Micheline Bernardini (pictured above).


On July 5, 1946, she caused a sensation by appearing, almost completely naked, at the Molitor Pool, in front of the public and photographers, in Réard's minimalist bathing suit !  An instant star, Bernardini has a multitude of admirers, especially among men.  In the days following her audacious presentation, she received no less than 50 000 letters !



But Louis Réard is too far ahead of his time.  His bikini is scandalous and he can't sell it.  Worse, his competitor, Jacques Heim, was more successful in selling a more conservative two-piece bathing suit (like the one pictured above), revealing less of the female anatomy.  However, the clientele remains quite marginal.  It is limited to a small number of wealthy and sophisticated Higher-class Europeans.


Esther Williams


For the bikini to return to store shelves, it will take a bang.  And it is a young woman, many considered the most beautiful in the world, who will give this momentum, so desired by Réard, to take off and boost the sales of his invention hitherto sullied by the ordinary people.


Indeed, at the Cannes Film Festival, in 1953, the blonde and very beautiful French actress Brigitte Bardot dazzled the world by posing in a very sexy bikini.  Bardot launched a fashion that then spread to the adjacent beaches of Saint-Tropez, a town on the French Riviera that quickly became the bikini capital of the world.


Ava Gardner


Other movie and show business stars and pin-up girls will emulate Bardot in the 1950s.  These resplendent and illustrious fans of the new bikini include : Esther Williams, Betty Grable, Marilyn Monroe, Anita Ekberg and Sophia Loren.


Marilyn Monroe


But, in several American states, or European countries (such as Italy, Spain and Portugal, the bikini is banned.  Wearing it is illegal.  Violators can be fined.  The Pope also condemns the wearing of the bikini.


Sophia Loren


And if, as we approach the 1960s, some magazines or newspapers are showing people in bikinis, these pictures are retouched or censored so that readers can't look at this outrageous navel that no one should see !

Here are some photos of bikini models of the 1950s on a grestest hit of the year 1953 : «Look at that Girl», by Guy Mitchell !